Taken as a Genre
Pierre Morel’s Taken (2008) turned Liam Neeson from a serious dramatic actor into America’s favourite murder-dad. Here I examine one of the film's legacies, and argue that Taken can be understood as a genre unto itself.
Pierre Morel’s Taken (2008) turned Liam Neeson from a serious dramatic actor into America’s favourite murder-dad. Here I examine one of the film's legacies, and argue that Taken can be understood as a genre unto itself.
Penned by The Kibitzer (Guest)
Our second editors' pick: Tired & Tireder's 'Working Beauty'.
Penned by Tired & Tireder (Guest)